Brazil Cuisine

Dekton - 28.05.2020

Brazil Cuisine RCB

Neutral textures by Cosentino fill the spaces in the restaurant designed by RCB. Located in the Museum of Image and Sound (MIS) of São Paulo, Pipo Restaurant offers a gastronomic experienceduring which the clients can follow and enjoy the reparation and plate presentation process of the menu designed by famed chef Felipe Bronze, distinguishedwith two Michelin stars. The architects Renata Castilho and Camila Buciani, of the São Paulo-based studio RCBArquitetura, were commissioned to design this open-plan space, connected with nature, sunlight, and the fresh breeze. Both the countertops of the grill area and the main wall are clad with Dekton Orix, a tone included in the ‘industrial’ collection and that gives a neutral image, in contrast with the colorist decoration signed by the artist TOZ. Along the same line, the walls and countertops are covered with Dekton Nilium, which reproduces a natural texture scattered with golden and gray metallic dots. Thismaterial is highly resistant to UV light, so it can also be used on the terrace, creating a uniform aesthetic and blurring the boundaries between indoor and outdoor spaces. Following this same aim, the main space is enclosed with permeable doors of timber strips designedspecifically for this project. The design for Pipo Restaurant includes 138 m² of Cosentino materials: Dekton Nilium on tables and countertops, Dekton Oriz on worktops and main wall, andSilestone Blanco Capri for bathrooms.

Interview with María Crecente & Pablo Castro

Dekton - 28.04.2020

Interview with María Crecente & Pablo Castro

Cosentino

The architects María Crecente and Pablo Castro of the firm COTECNO describe their everyday life carrying out local and international projects from home. María Crecente and Pablo Castro, both from the Galicia region, have been a couple for 26 years and professional associates for 9. They head COTECNO, an architectural practice with engineering services built into it. The firm is busy with major ongoing projects in Spain and abroad.Like many other enterprises in the sector, COTECNO has had to adapt to the current situation and embrace telework. It’s about these new challenges in their day-to-day activity that we have conversed with María and Pablo.María and Pablo, you are at the helm of COTECNO, your own company. How did this come about?María: When we finished architecture school, we found work immediately, separately. The important thing was to learn. At that age we had no responsibilities, no obligations, just a lot of enthusiasm. Straight out of school, I joined the COTECNO team. I was very lucky to be able to start that way. You get out of school and real life is a wholly different matter. You think you know everything there is to know, but suddenly you have doubts, gaps in knowledge, fear… It’s essential to have good professionals at your side.Pablo: I started out as an intern in a large office that now happens to be among our best clients. When the internship was over I moved to another firm, but it wasn’t my thing, so I set up my own studio.M: Years later, the opportunity to acquire the company arose. It was 2011, the peak of the crisis… An important decision and a decisive moment. We were familiar with its workings, its strong and weak points, and above all we believed in COTECNO’s market potential. And that’s how Pablo and I, with our partner, José Manuel, who’s an engineer, embarked on the project that we are today.About the current situation, how are you functioning in confinement? In what ways are you trying to make the best out of it?M: Well, actually it’s the same at home as in the office, just “a bit more together” in the case of the two of us, since the workspace here is smaller and we don’t do the safety distancing [María smiles]. We keep the usual workday schedule, exactly the same as before the lockdown.What’s changed is the contact with our colleagues. Our work method relies on direct collaboration between the different parties, from the very start of each project. The idea of this being done from home was at first worrying, but thanks to everyone’s availability and flexibility, we soon worked it out perfectly.Ditto with clients and suppliers. Meetings are held via the web. Many of our works and projects are located outside Galicia, and so – leaving aside visits to construction sites and face-to-face meetings, which are irreplaceable – we already had a routine of online meetings with many of them.P: The main advantage is that every contribution to the team decision is later traceable. The system creates a register – which is instantaneously saved – of all information dealt with in chat after chat, whether graphic or audiovisual… Because the information is generated and stored in real time, we can go back to it as many times as is necessary, and analyze data. This is instrumental in reinforcing and improving the decision making. We’re going to continue with this new work mode when the lockdown ends.The main disadvantage is the absence of “day-to-day” with coworkers. A while ago you were saying that digital communication with suppliers has intensified. In these circumstances, how are Cosentino and its digital platforms helping you make headway in projects? P: Cosentino’s website features a section where professionals can find all the information they need for a project, such as construction details for different solutions, finishes, and applications. Its participation in social networks is also very useful, keeping you abreast of its latest products.In addition to digital platforms, Cosentino understands the importance of backing all the information it gives with personal attention. A team of experts offers you personalized advice and a detailed study of each item of the project, and is always on hand for you. You can call them for help in finding solutions, and this is really what makes a difference, more so in times like these. María: Cosentino also has a major R+D department which, besides the best solution, offers you the option of the custom-made. This is often a fundamental tool in obtaining the effect desired in a project. For some architects this lockdown has got to be a particularly interesting episode, almost like a major market study. Do you foresee changes in how we engage with our homes? M: The situation has indeed changed us. In our case it’s not so much the working at home as a physical space; rare is the weekend, in normal circumstaces, that we don’t do some work at home – and in my case during maternity leave. What’s new is the extent to which we are capable of getting work done outside the office as a workplace. For example, up to now, planning a private trip was a problematic matter. We want to be constantly connected to the office and keep ourselves up to date, especially when deadlines were looming or during some critical phase of a project. Now we know for sure that as long as we have an Internet connection, we can reconcile everything perfectly. I should also say that, besides the good fortune of having a fine team, 80% of us have been working together for more than 15 years, so the team’s capacity to adapt to changes is total and we are always moving in the same direction. This, too, makes things easier. Do you think that the architectural world will look back on this pandemic as a turning point, with a before and after? What will change? P: Yes, for sure. It’s already happening, and our clients are demanding it. From now on, buildings – workplaces, in particular, and before everything else – will have to be safer from a health point of view. Regulations will change, as will interest in their enforcement. An exciting new challenge.

Cómo trabajan los arquitectos en confinamiento

Dekton - 13.04.2020

Cómo trabajan los arquitectos en confinamiento

Cosentino

The health crisis caused by the COVID-19 has forced confinement for more than a month, which has not prevented professionals from continuing to work. This is how Cosentino's usual collaborators work in quarantine. We are experiencing a situation that is challenging us on all fronts. A major front is the labor world, where telework has proven to be a true lifesaver. The home has mutated into an office, and the kitchen table perhaps into an  improvised study. Now is the time to make the best out of every corner at home, and if there’s a collective that knows how to do that, surely it’s the guild of architects and designers.With visiting buildings and construction sites out of the question, these professionals have to think up new ways of working in teams and engaging with clients. We wanted to know how the architects and designers who collaborate with Cosentino on a regular basis are handling the situation. This is their new normal.A team united, now more than everIn architecture and interior design studios, tight teamwork is the norm, with different professional profiles coming together in any single project. In such diversity, communication is of the essence, in pursuit of excellence. This has not in the least disappeared. Says Laura Gärna of Gärna Study Gallery: “At first there was some bewilderment, but now we’re trying to make the best of the situation and are moving forward in projects as well as before, if not better.”These days, organization is key, so Gärna and her team of twelve professionals try to keep a strict but efficient calendar of meetings, and here messenger services and video conferencing are major allies. “We have a WhatsApp group for each project, hold meetings whenever necessary, share a screen…” Architects nowadays have a wide range of very helpful digital tools at their disposal, and one is the platform Cosentino.pro, which professionals log into for inspiration, information on materials, and even technical documents for reference.Indeed Cosentino maintains its commitment to architecture and design professionals by giving them 24-hour access, through various channels, to information on materials and personalized advice.     “We are moving forward in projects as well as before, if not better.”  – Laura Gärna For the architect Octavio Mestre, a veteran with over thirty years in the sector, the philosophy for the situation is clear: “We have to make a virtue out of necessity.” The time he saves in not moving about and visiting construction sites goes to making headway in a number of endeavors, such as his own  ‘arquitecture magazine, T18’, two issues of which he has managed to wrap up while on lockdown. This is the attitude that Mestre passes on to his team day after day: “our communication is fluid and projects are not delayed, though it’s true that no new commissions are coming in.”This is a complex, unforeseen situation but there are practices of global importance, such as HCP Arquitectos, that have reacted quite speedily: “Fortunately we’ve adapted quite well to working under lockdown, and because our clientele is international, we followed the evolution of the crisis from the start, with the first outbreak in China.” As HCP design director José Luis Moreno explains, the week before Spain declared a state of emergency, the firm did a telework drill to detect possible problems. “It’s now been over three weeks of shutdown, and thanks to the extraordinary efforts of the team, this work method almost feels normal. In these circumstances the support and commitment of everyone is indispensable, and in our case the response can’t have been better,” concludes Moreno, along the lines of Laura Gärna’s account: “We used to be averse to the idea of telework and thought it would never do in our sector because we operate so much in teams, but this experience is proving it to be a real option; in fact, I feel more productive than ever.”This confinement episode can have positive medium- and long-term repercussions. At least Octavio Mestre hopes so: “I am hoping that telework can take root in some sectors and that there can be more flexibility and work-life balance for people. If someone in our staff has a small child and performs well on the job, why shouldn’t I allow that person to continue working from home?“I hope there can be more flexibility and work-life balance.” – Octavio Mestre Advantages of the new paradigmHigher productivity is something that architects and designers seem to be quite unanimously reporting. José Luis Moreno is clear about it: “Thanks to the strong sense of team responsibility, we are seeing a rise in the productivity of all members. Not once since the quarantine began have we missed a deadline.” More time at hand, better organized meetings where key points are tackled... The professionals consulted have given a range of explanations for the increased productivity, but there is one aspect that Laura Gärna enthusiastically highlights: “we have built up a very good team spirit; we share anecdotes, laugh a lot…” Such unity in distancing would have been unthinkable in a team like Gärna’s, composed of architects and designers specialized in carrying out projects where both worlds fuse.  “We have built up a very good team spirit.”  –  Laura Gärna Rediscovering that place we call ‘home’Forced to stay home practically 24 hours, we wonder how the confinement will change our idea of home and the way we engage with it. “This was among the first things I found myself reflecting upon,” says Gärna. “In Spain we have a strong culture of being out on the streets and going out with friends. Not so in other European countries we work with, where people socialize in homes.This may be what prompts reflection on the importance of the space one lives in. And it has nothing to do with luxury, it’s about feeling comfortable. José Luis Moreno likewise delves into the matter. For him, the ‘cultural change’ we are undergoing on account of the surge of telework triggers reflection on the home, “requiring new spaces in which to do telework, and potentially increasing demand for dwellings of the kind that is more open to the exterior, with larger, more operable windows.” Beyond their own domestic spheres, professionals foresee major changes in their work.“ “Hospital architecture needs to be improved and optimized, as we have seen in this crisis. Perfecting hospital construction systems can save not only time, but also lives,” stresses Octavio Mestre, who knows of companies already working along these lines on a national scale.Thinking also of the medium and long run, José Luis Moreno contemplates the current situation and speculates on the direction it could take in years to come: “So far the priorities have been good design, sustainability, energy efficiency, smart systems, and new industrialized construction solutions. Because of this crisis, building costs may once again be prioritized and limited, and much importance is bound to be given to all that has to do with Smarthomes, interpersonal communication, and homes adapted to work models.”  Moderate optimism and a strong desire to keep up teamwork are the new tendencies in architecture and design. Now’s the time for quality to shine as never before. Professional quality, but also human quality.  “Because of this crsis, building costs may once again be prioritized and limited.” – José Luis Moreno    

Macael Awards 2019

Dekton - 03.01.2020

Macael Awards 2019

Cosentino

Cosentino is pleased to announce that three of the projects awarded in the 2019 Macael Awards have the quality and functionality of products by Cosentino. Design AwardThe Design Award goes to the ToHa building, a genuine 29-storey office complex located in the center of Tel Aviv, Israel. Its unique facetted volume, inspired by the geometry of an iceberg, was designed by designer Ron Arad, together with Avner Yashar's local team, to house an office complex.More than 28,000 m2 of Dekton® by Cosentino cover the complex, distributed in the facade, the floor, the elevators, the ceilings and the interior divisions. The more than 10,000 pieces of Dekton® used were manufactured and cut at Cosentino's headquarters in Cantoria and transported by ship to Israel.  International Europe AwardLocated on the so-called golden mile of Madrid, the International Europe Award goes to the Lagasca 99 residential building, whose façade has been created with 330 pieces, weighing 2,200 kg each, of Natural Stone Travertine by Cosentino.Flooring, cladding and stairs in common areas have been made from the same material. All the main kitchens have worktops in Dekton®, colour Keyla, and the service kitchens have been manufactured in Silestone® Blanco Zeus. International Africa AwardThe Africa International Award goes to The Leonardo Tower, located in Sandton, Johannesburg, which has become the tallest building in Africa at 234 meters high, divided into 55 floors.The work is functional, technologically advanced and already a symbol for South Africa. With a surface area of 15,000 m2 for premium offices and luxury housing, the Architecture Company Co-Arc International project houses 24,350 m2 of the ultra-compact Dekton® surface on its façade, lobby and entrance columns, and 3,526 m2 of Silestone® on kitchen and bathroom countertops in bars, restaurants, gyms and spas. Communication AwardIn the Communication category, the EEA recognizes a partner of Grupo Cosentino, the National Kitchen and Bath Association of the United States (NKBA), to which Cosentino has belonged for years and whose relationship has been consolidated in recent years with various actions and initiatives.The NKBA is the leading association in the United States for the kitchen and bathroom industry, providing tools, research, certification and events to thousands of professionals in all segments of the sector. With nearly 14,000 member companies, NKBA promotes professionalism and leadership in the industry.

Cosentino at Little Spain Market

Dekton - 01.07.2019

Cosentino at Little Spain Market

Capella García Arquitectura

‘Little Spain’ is more than just a bit of Spain in the heart of New York City. It’s an innovative, somewhat revolutionary space, and without a doubt a celebration of the ‘Spain Brand.’ The purpose of the ‘Little Spain’ project is to bring authentic Spanish cuisine to New York in a space that reflects the country, with all its nuances and traditions. As the architect explains, there were three direct sources of inspiration: our markets, the typical Spanish town, and our food.Cosentino took part in the initiative from the start. Its surfaces have been instrumental in showcasing the best and most innovative applications and decoration for the professional ‘Made in Spain’ restaurant sector, eventually supplying almost 700 m2 of Dekton® y Silestone® products. The project also provides for exclusivity: “There is a secret room… with a table for only 10 people that is entirely made of Dekton Kairos, including the wall, the floor, and the table/kitchen itself.” Juli Capilla chose Cosentino materials “because of their performance and because they’re a Spanish product.” In the renowned architect’s opinion, Cosentino products are ideal for these uses. “We had a range of colors and textures that were guaranteed to be resistant and reliable, which in a place of so much traffic and wear and tear as this, was fundamental.” One could say that the final result of ‘Little Spain’ is a “living organism” which New Yorkers and visitors alike can now make their own.

Raytrace at Milan Design Week

Dekton - 17.04.2019

Raytrace at Milan Design Week

Benjamin Hubert & Dekton by Cosentino

Presented at Milan Design Week 2019, Raytrace is an architectural installation for displaying the innovative product Dekton® by Cosentino, which comes alive in the light. Designed by LAYER founder Benjamin Hubert using Dekton® by Cosentino, Raytrace was put on display in the historical vaulted warehouses situated under the Milan Central Station as part of the third Ventura Centrale exhibition. This venue is a triangular tunnel 25 meters long and 6 meters high, with a mirror at each end that reflects the installation and creates the illusion of an infinite space. Around the triangular tunnel are twenty stools made of Dekton®, inviting visitors to sit down and enjoy the installation.In designing Raytrace, Benjamin Hubert drew inspiration from the process of elaborating Dekton®, giving the material its water element back and imitating the refraction of light through water. As they enter the installation, visitors can contemplate the mesmerizing caustic design that presents a slow motion, with ripples projected on the surfaces that produce a soothing effect, evoking the calm we feel when immersed in water. Raytrace uses the new Dekton® Slim, which is only 4 mm thick: durability and technology in a finer, lighter format. Right on the cutting edge for surfaces and one of the lightest in the market, it opens up new possibilities for application in architecture, precisely the project’s intention.

Raytrace

Dekton - 21.02.2019

Raytrace

Benjamin Hubert & Dekton by Cosentino

Raytrace is an immersive, architectural installation showcasing Dekton®, the ultra-compact, large format surface by Cosentino – exploring the product’s design, innovation, strength, durability and beauty.  Cosentino presents their collaboration with designer Benjamin Hubert of LAYER for Milan Design Week 2019 titled Raytrace. A triangular passage composed of Dekton® ultracompact surfaces is seemingly balanced on a single edge within a dark, atmospheric space. Upon entering the passageway, a mesmerising caustic pattern slowly dances across the surface, emulating the refraction of light through water – evoking the serene feeling of being underwater. Hubert’s design references the highly technological qualities of Dekton® as an indoor/outdoor architectural product and the natural minerals used to produce the material. Taking inspiration from the Dekton® creation process, Hubert creates a dramatic, interactive experience showcasing the harmony between nature, light and architecture. “This installation demonstrates the limitless versatility of Dekton®, hoping to inspire architects and designers with the beauty and technological qualities of the material,” says Santiago Alfonso, Vice President of Marketing and Communication at Cosentino Group. Raytrace will be exhibited in the historical vaulted warehouses beneath Milan’s Central Train Station as part of the third edition of Ventura Centrale. The iconic backdrop of these arched spaces will house installations by internationally renowned brands and designers, making it a must-see destination during Milan Design Week 2019.  

Façade in KAP WEST

Dekton - 24.01.2019

Façade in KAP WEST

Dekton by Cosentino

For the extraordinary office building Kap West in the central Munich, Cosentino’s ultracompact Dekton® was the perfect solution in creating an urban, high-tech and architecturally sophisticated façade. Visionary, expressive and outstanding in every sense of the word. Courtesy of the Kap West building, Neuhausen-Nymphenburg is now home to Munich’s newest architectural landmark. The modern office building is raising the ante its innovative concept, maximum economic potential, top location, and high quality of living. Offering imposing views across the Alps and Munich city centre, the extensive area in the new “Am Hirschgarten” district will be home to inviting, flexible modular office space over more than 41,000 m2.At first glance, the highlight of the expansive property is definitely the façade. In order for Kap West to be impressive from every angle, we needed to find a material meeting all the requirements of a highly efficient and modern exterior – yet also exuding an urban, liberal flair. The Dekton® ultracompact surface by Cosentino was chosen due to its extraordinary properties, innovative processing technology, and the possibility of choosing individual colours. Sober and elegant, yet highly assertive and urban, it defines the project’s image from every perspective.  Walter Schelle, the leading architect at HPP Architekten GmbH – the company engaged to carry out the project – sums it up as follows: “The basic requirements for a long-lasting façade are an impact-resistant surface that can withstand extreme weather and has a high degree of mechanical resistance. Dekton® fully provides these functional benefits, thus making it the ideal material for Kap West.” In order to reflect the lively atmosphere of the district, executives decided to use the Dekton® colour variation “Keon”, which is part of the Cosentino Tech Collection. Its industrial colouring, inspired by the appearance and texture of concrete material, seizes the spirit of the urban environment – while underlining its unique expressive character, which makes the office building clearly stand out from its surroundings.

b720 in Aedes Architecture Forum

Dekton - 10.12.2018

b720 in Aedes Architecture Forum Fermín Vázquez Arquitectos

Desde el viernes 7 de diciembre hasta el 17 de enero, la galería de arquitectura berlinesa Aedes expondrá la obra del estudio b720. Con motivo de su vigésimo aniversario, el estudio dirigido por Fermín Vázquez ha colaborado con la Galería Aedes y Dekton by Cosentino en la exposición Enchanting Traces, un recorrido por su obra reciente. La muestra se organiza en torno a una réplica de los puestos del Mercado dels Encants, el proyecto central de la exposición. Una sucesión de materiales, maquetas y documentos gráficos nos acercan al método proyectual del estudio y a su forma de hacer arquitectura desde la percepción y la reflexión.  En el centro de la instalación se reúnen ahora los restos materiales de la producción de estos 20 años evocando un puesto en el mercado de los Encants Barcelona, proyecto central del discurso expositivo. Alrededor de este “mercado” se han dispuesto sobre paneles plegados, fragmentos de cada uno de los proyectos. Estos soportes han heredado la materialidad de la obra Encants Barcelona y presentan un elevado grado de reflexión sobre el fondo de color dorado tan característico de la cubierta icónica del “Mercat”. La instalación se mezcla con la actividad diaria de la galería, invitando al visitante a acercarse al trabajo de b720.